Archive for the ‘Music’ Category

Cat DailCat Dail is a singer-songwriter from New York City who has spent in access of twenty-five years creating music. Whether with the Indie Rock band distant cousins that she helped to form back in the nineties or with the Magnets, a band that helped bring her music to life, Dail has been busy. But now, she has taken her skills as a writer on her own for a new solo album of music.

The new seven-song EP from Cat Dali features not only Dail on vocals, guitar and percussion, but also album producer Teddy Kumpel on several instruments as well as Shawn Pelton on drums. Together, the trio creates seven tracks that incorporate Rock and Roll, Funk, Jazz, Soul, Blues and Folk into one style that fits into the Indie category. The new EP from Cat Dail is entitled Fight for Love.

Fight for Love from Cat Dail begins with the track “Can’t Buy Love”. The track begins with as slow, deliberately steady beat and a slightly dark feeling to the Blues influence in the music. Eventually, the track evolves to a Pop-rock feel to the music with a slow tempo.  The lyrics of the song deal with a relationship that is slowly falling apart. The sad lyrics to the track match up well with the slow pace to the music.

With the track “Player,” Cat Dail and friends create a track with a strong Funk feel to it. The beat that leads the track in gives the song a groove that adds to the Funk feel. The guitar at the beginning adds even more energy to the groove. The lyrical delivery by Cat Dail takes on a slightly jazzy feel that is reminiscent of something from Joni Mitchell. The Funk/Jazz combination of the music creates a track that comes across as something that would have been created back in the late sixties/early seventies. And while the track does seem rather retro in nature, the song would feel right at home on some of today’s more liberal jazz radio formats.

The track “Wonder Love” is easily one of the more unique tracks on the Fight for Love release from Cat Dail. The track features a strong Pop-rock base to the music, but also contains a strong Alternative feel because of some of the synth-pop elements of the song. In fact, some of those synth-pop elements bring to mind bands like Depeche Mode or OMD. And while there is a certain amount of synth-pop feel to the music, the track ultimately feels like something that would have come from “Wonder Love” and its Pop-rock/Alternative mixture create one of the more commercial moments of the seven-song EP.

One of the more unusual moments on the release belongs to the track “Flow Zone”. Much like the track “Player” from earlier in the release, “Flow Zone” is yet another song that features a retro approach to the music. The music of the song combines elements of 70’s era Disco with some elements of Funk. The strong danceable beat that “flows” through the music of the song brings the Disco flavor to the song while the horns that are included in the track help to bring the Funk feel. Plus, the rather simplistic feel to the lyrics of the song also seem reminiscent to songs from the Disco era. “Flow Zone” ends up being one of the more fun-filled tracks on the release.

After the high energy feel of “Flow Zone,” the music takes on a much softer tone on the track “She Can Fly”. The track combines elements of Blues, Jazz, and Folk together with a solid Rock and Roll backbone. The track’s musical blend create creates an Indie Rock feel. The song features the stylings of Andy Erin on Keys to help bring the Jazz flavor to the track. “She Can Fly” is one song that will satisfy the tastes of many different music lovers.

Cat Dail’s newest release comes to a close with the song “Molly & Matchbox”. For this track, Cat Dali and band combine elements of Folk and Rock to form a song with a rather easy feel to the music. The resulting track brings to mind a combination of Linda Ronstadt and Tori Amos. With the inclusion of coyote at the end of the track howling in the distance, the track even seems to add a little Country flavor to the rest of the music that exists on the seven-song release. The easy feel of the song makes for a perfect song for any Adult Contemporary radio format.

Fight for Love from Cat Dail is a release that makes good use of many different musical elements to help bring the songs to life. For those who like a little variety in the music while still having some sort of glue that holds everything together, the Fight for Love release from Cat Dail is one album you need to check out.

For a taste of the music from Cat Dail, check out the song “Molly & Matchbox“. 

For more information, check out Whiplash PR & Management by clicking on the logo for the company. 

Whiplash

Advertisements

Moccasin BenderRandy Steele has spent time as part of the band Slim Pickens Bluegrass. But after a few years in that musical ensemble, he went out on his own while taking the style of music that the group had been known for with him. Now as a solo artist, Steele has begun making a name for himself taking that style of music and making it fit his own personality. That resulted in the 2017 album entitled Songs from the Suck, a title that had to do with the location where Steele was from, Suck Creek, Tennessee.

Having released one solo album and finding a fanbase that was positively receptive to his music, Randy Steele returns with a new EP of music. This release is entitled Moccasin Bender.  And just like his previous album, the title of this new collection of music comes with a reference to the area where Steele comes from. Moccasin Bend is both an archaeological site and national park located in Tennessee.

With a lot of Bluegrass/Country music being influenced by real life, it comes as no surprise that Randy Steele would create a song that came straight out of his life. The EP lead-off song “Mabbitt Springs” deals with Steele being thankful that his son beat cancer. For this track and its upbeat message, Steele creates a musical background that contains a completely full sound consisting of banjo, slide guitar, fiddle and drums. That full sound leads off the EP which switches to a much simpler feel on the very next track.

Moccasin Bender continues with the track “Adam and Rose”. The simple musical accompaniment of just the banjo creates a relatively simple Bluegrass track. Like the previous song, “Adam and Rose“ finds Randy Steele creating a track with a real-life feel to the lyrics of the song. “Adam and Rose” features lyrics about two young adults making their way in the world and coming upon life’s everyday difficulties. The music’s slow pace seems to be a perfect fit as the music acts like the perfect bed for the lyrics that spell out the story.

The new six-song EP from Randy Steele continues with the track “Big Talkin’ Woman”. With this track, Steele creates one of the most commercial moments on his release. The track features a full-bodied feel to the music including a slide-guitar solo in the body of the track. While the song easily has a throwback feel to the music, that retro feel would have fit in well with songs in the seventies/eighties. “Big Talkin’ Woman” from Randy Steele will give fans of Old-fashioned Country music something to truly enjoy.

With the next track, Randy Steele touches on a subject that is rather difficult: Drug Addiction. The track called “Age of Ben” features lyrics that act as a storyline as Steele tells the story of as boy who never really had a real chance at life. The main character in the song is born with a developmental problem that gets worse later in life. And having been given up for adoption, he never got to know his real mother. When all gets too difficult to deal with, “Ben” turns to opium which just makes things worse. Just like with the track “Adam and Rose” earlier in the release, “Age of Ben” comes complete with a rather simplistic feel to the music. But unlike the other track which featured the banjo, this track finds Steel creating the simple music of the track with the guitar. The guitar-only background to the track seems to add to the sadness contained within the lyrics.

While several of the tracks on this release find Randy Steele exploring his storytelling side, the track “Rummies” finds him creating a track that has a rather familiar feel to those who know artists such as Gordon Lightfoot. In fact, if it wasn’t for the fact that this song was written around To Have and Have Not, a novel written by Ernest Hemmingway, it would have been a good guess that Steele had used Lightfoot as an influence for the track; which he may have as far as the music of the song is concerned. “Rummies” shows off Steele’s ability to take a storyline and set it to music.

Randy Steele’s new six-song EP comes to a close with the track “Pretty Little Girl with a Blue Dress On”. The track closes the EP out with one of the simplest musical approaches. The lone banjo and Randy Steele’s vocals on the short track bring to mind something that could have come from someone like The Stanley Brothers or someone else that are easily just as well-known from the Bluegrass genre.

Randy Steele stepped out on his own with his first release entitled Songs from the Suck. Taking the next step with his second release, Steele proves that his songwriting skills are still just as sharp. With the track “Adam and Rose” which features a rather simple musical back ground, or “Rummies” that shows off his ability to take an idea and make it his own, the Moccasin Bender release proves to be a well-made second release from the Tennessee-based Randy Steele.

For more information, check out his PR firm, Whiplash PR

Moccasin Bender from Randy Steele is due to be released in the near future. Until then, check out Randy Steele’s live version of “Adam and Rose,” a track that will be on the Moccasin Bender release. 

 

Brother ChunkyBrother Chunky is the stage name of Utah-based singer-songwriter Michael Barclay. The moniker started because of a band that Barclay and some friends formed earlier in his youth. The band, simply titled “Chunky,” created music that blended together “Funk, Punk and Junk”. Barclay carried that musical blend on after that band was finished, with a slight variation to it. And now as a solo act, Barclay uses the name as part of his own.

As a solo artist, Brother Chunky carries on the musical tradition started with his original band.  For the group, Michael Barclay is joined by an entire group of musicians who bring to life the music of Brother Chunky.  The resulting “Funk, Punk and Junk” style created by the band can be found on the two albums of music released under the Brother Chunky moniker- 2013’s And Stuff and 2018’s Down Low. The rest of the musicians for the Down Low album are: Guitar- Chris Henderson, Drums/Bass/Percussion- Adam Holdaway, Bass- Kyle McCann, Harmonica- Brad Wheeler, and Drums- Zac Bryant with Morgan Whitney on Backing Vocals.

Down Low from Brother Chunky begins with the track “Chunky Blues”. The lead-off track blends together a good amount of the Blues with a generous amount of Rock and Roll. The result is a rather Bluesy track with plenty of backbone. While it does contain that rock and Roll influence, the track’s musical approach puts to use a musical approach that is reminiscent of classic Blues songs.

Michael Barclay and the rest of the band slow things down on the album’s title track. “Down Low” has a solid Blues approach. The music of the track brings to mind the harder Blues feel of someone like Stevie Ray Vaughan who adds plenty of energy to the classic Blues sound. “Down Low” is easily one of the hardest rockin’ tracks on the album.

The next track on the album is the one and only track on the release not written by Michael Barclay. The track “Deep Ellum Blues” is one of the tracks that were made famous by Jerry Garcia and the rest of The Grateful Dead. With this track, Brother Chunky stays rather close to the original feel of the track. But with the fact that Brother Chunky’s sound contains a lot of Funk influence to it, so too, does his version of the song. The Brother Chunky version of the song takes the feel of the track and bumps it up a notch.

On the track “Little Man,” Michael Barclay and the band create a track that takes the album in yet another direction. “Little Man” features lyrics about a man with something to prove. The Blues-Rock that fills this track brings to mind the sound and feel of ZZ Top. The driving feel of the music helps to create one of the strongest tracks on the album. The high energy feel to the music seems to go well with the lyrics about proving yourself.

With the track “Get on Down the Road,” the band once again creates a song with a very strong groove to it. The Bluesy feel to the music, mixed with a driving feel to pace forms a track that feels just right for those long drives on the highway when speed is your friend. The track also contains some of the most powerful playing from Barclay. The song features a rather strong guitar solo near the end of the track. “Get on Down the Road” is a track off of Down Low from Brother Chunky that will get your blood pumping.

The new album from Brother Chunky comes to a close with the track “Resignation Letter”. The song features a slightly lighter approach on the Rock side of the musical blend. As the song travels at a steady pace, Michael Barclay makes it clear that he’s had enough. The song about bringing a certain type of relationship to a close seems just right to end the album with.

Down Low, the new album from Brother Chunky contains ten tracks of music that focus mainly on a musical blend that contains a large amount of Blues flavor mixed with other styles. Throughout the album, Michael Barclay and the rest of the band create music that never gets tiring.

For a taste of the music from Brother Chunky, check out the title track from the album Down Low

Mark RogersVirginia/DC-based singer-songwriter Mark Rogers finds himself in a situation that many others have experienced. Years ago, he has spent time creating music. The style of music that he created incorporated Folk, Folk-Rock, and even a little Bluegrass influence. Needless to say, the style of the music created by Rogers would have fit quite nicely with music from the sixties.

But then Mark Rogers found himself creating a family. Music would have to wait. And wait it has. Then, after an extended time away, Rogers has resumed his pursuit of music. In fact, Rogers has made it official as he just created a new EP of original music. The new EP from Mark Rogers is entitled Rearranged.

Rearranged from Mark Rogers begins with the “Right Here”. The track features a sound that would have been right at home during the seventies. In fact, the track’s Folk-Rock feel brings to mind the sound and feel of a band like The Eagles. That sound comes courtesy of guitars that bring to mind the various musicians from the band. The easy pace of the track and the rather familiar Eagles-inspired sound would have felt right at home on AM radio. Right from the start, the track “Right Here” makes Rearranged from Mark Rogers feel like a musical release that fans of Pop-Rock music would truly enjoy.

While the previous track brought to mind the styles of The Eagles, Mark Rogers changes his musical approach on the song “Slow Parade”. The second track of the release features a style that incorporates just a little Beatles flavor into the music. Although it is not overwhelming, the listener can hear just a little Lennon/McCartney influence in the lyrical content of the song. That Beatles-esque lyrical content and melody contained in the words of the song brings to mind that band’s style from back in the sixties when they were just making a name for themselves. Along with the Beatles influence in the lyrics, “Slow Parade” contains a musical approach that once again contains a definite Folk-Rock sound.

After Mark Rogers spent two songs creating music with a throwback feel, the next track of “I Can’t Say Why” features a timeless sound. The Folk-Rock style on the track contains a strong musical approach that could have been played in the seventies, eighties, nineties, or even on today’s Pop-Rock radio formats. Throughout the song, the acoustic approach of the music helps to create a track with a gentle feel to the music. With the inclusion of the electric guitar, Rogers adds a nice amount of energy to the song.

With the track “Waiting,” Mark Rogers once again conjures up the sound of the seventies. The slow pace and easy feel to the music brings to mind a song like “Harvest Moon” from Neil Young. Much like Young’s song that contains a throwback feel to the music, the feel of “Waiting” from Mark Rogers would fit in with older tracks but would also fit on modern-day Adult Contemporary radio formats. “Waiting” is one of the strongest tracks on the Rearranged release from Mark Rogers.

The new release from Mark Rogers continues with the track “Takes Me Back Again”. On this track, Rogers continues to create music with a strong Folk background, but changes things up a little as he incorporates a strong Jazz influence to the music. That Jazz influence comes in the form of the guitar on the track and the light vocal delivery from Rogers. The rather short track shows off Mark Roger’s playing ability.

Mark Rogers brings his new EP to a close with the track “The Blue of December”. As the song revolves around the sound of the piano and the acoustic guitar, the two instruments combine to create a track that contains a very laidback feel. The low-key track brings the Rearranged release from Mark Rogers to a close on a gentle note.

Rearranged from Mark Rogers is a short six-song EP that gives the listener a very strong Folk-inspired . But this is just a taste of what is to come!
For a taste of Mark Rogers’ new EP, check out the track “The Blue of December“.   

Check out Rearranged from Mark Rogers. The album is available on Bandcamp.  You can also find the album on GooglePlay and iTunes

For more information, check out Mark Rogers’ PR firm, Whiplash PR

Keith MorrisThroughout history, there have been issues that made people stand up and take notice. And some of those issues even resulted in the more vocal groups within the people to demand change. Times like the Vietnam era where America became embroiled within someone else’s fight led to people becoming rather vocal and taking stands against what they knew was wrong. We are currently living within yet another era where people are taking a stand against things that they believe are not right. And just like the Vietnam era, a lot of musicians are adding their voices to the fight. One singer-songwriter making his opinion known is Charlottesville, Virginia-based Keith Morris.  

Charlottesville, Virginia-based Keith Morris was largely influenced by many singer-songwriters who have made their voices heard over the years. One such person who had a large influence on Morris was Leonard Cohen. With how vocal Cohen had been during his lifetime, the songwriter would have had plenty to say about what is going on in the country today. But Cohen died before things like the election of Donald Trump happened. That event as well as several other newsworthy others would have been just right for Cohen to write about if he had lived just a little while longer. To make up for that, Keith Morris has created an entire album of songs that have their beginnings in real-life events that are now sending shockwaves through the nation. Originally entitled “Trump Songs for Leonard Cohen” (a title that was abandoned when Morris was told he could not use it), the new album from Keith Morris & The Crooked Numbers is called Psychopaths and Sycophants.

The album of Psychopaths and Sycophants from Keith Morris & The Crooked Numbers begins with the track “The Future”. This track was originally written and recorded by Leonard Cohen when he started looking at what the future may actually hold for mankind. Looking back at what the songwriter had written, the track’s lyrics seem rather haunting as a lot of what Cohen had predicted has taken place. But the track as recorded by the band gives the song a lot of energy as the Rock and Roll within the song contains a driving feel to the music. That driving feel gives the track more of an upbeat approach than the lyrics seem to contain.

Along with “The Future,” Morris and the band also do an interpretation of yet another Cohen composition entitled “In My Secret Life”. While the original version from Cohen was created around the sound of the guitar, the inclusion of the organ on the new version from Keith Morris & The Crooked Numbers gives the track a slightly more upbeat feel. And the slightly quicker musical delivery also adds to that more upbeat feel. Add to that the Gospel Choir in the background and “In My Secret Life” brings the new release from the band to a close on a strong note.

In-between the two tracks originally written by Leonard Cohen, Psychopaths and Sycophants from Keith Morris & The Crooked Numbers finds the singer-songwriter and his band approaching very controversial topics. The song “What Happened to Your Party” covers the topic of when people within a party get firmly behind a certain candidate for president (Trump) and those people leave their beliefs behind to follow blindly along. The song “Charlottesville by Name” finds Keith Morris creating a tune written in response to the hatred and violence that took place within a rally where several people were killed. And the track “The Narcissist” deals with a man who is too stuck on himself to see the big picture of what is going on around him. And of course, the title track of “Psychopaths and Sycophants” deals with all of the wrong people who are running things today. These tracks and others give Psychopaths and Sycophants its politically-charged feel.

While the subject matter contained within the nine songs that make up Psychopaths and Sycophants is very political, the musical side of the album finds Keith Morris and the rest of The Crooked Numbers creating music that is widely varied. Throughout the tracks on the album, the Folk, Rock, Gospel and other musical influences blend together to create an album that is as musical diverse as the political themes that run through the subject matter. That musical diversity proves that there is a lot more to Keith Morris than just the emotional side to the writer that drives his desire to take a stand; there’s also a musician side that helps to shape the way his songs sound.

 

Psychopaths and Sycophants from Keith Morris & The Crooked Numbers has yet to be released. The album will be available in the very near future. Stay tuned to the website for Keith Morris & The Crooked Numbers to stay updated. But until the newest release from Morris and the band is available, check out the title track to the upcoming album.

For more information, check out the PR firm for the band, Whiplash PR.  

YOUWhile Dallas-based singer-songwriter Ezra Vancil has explored several different styles of music over his time in the music industry, his album of You finds the singer-songwriter exploring the Folk music aspect of his personality as well as other styles to help bring the tracks on the new album to life. Recently, Vancil took a deeper look within his own life and started writing songs with a very personal connection. But instead of writing the collection of songs from a first-person perspective, the resulting tracks on the release deal with his relationship with his wife and other aspects of love as his various relationships have seen ups, downs, highs and lows. With the eleven tracks that make up the release, Vancil makes use of his personal influences such as Cat Stevens, Johnny Cash, Bob Dylan, even women such as Emmylou Harris and Joni Mitchell, as well as several other artists. Together, those artists helped to influence the music of Ezra Vancil that appears on his new release called You.

The album You from Ezra Vancil begins with the track “Galveston”. While the track deals with Vincil’s divorce from his first wife, the music and feel of the track brings to mind another artist: Although known for the track “Convoy,” the songwriter C.W. McCall created tracks with this feel with the help of producer and owner of the record label American Gramophone, Chip Davis. Together, the duo of Davis and McCall would have created a track with this very feel, including the story-like approach to the lyrics of the song. That feeling of familiarity makes Vancil’s “Galveston” feel both fresh and retro at the same time and that gives the listener a good reason to continue on the musical journey set forth by Vancil.

Ezra Vancil’s new release continues with the track “Complicated Man”. The track starts off with a rather strong acoustic guitar approach that helps create a sound that will remind listeners of early recordings of Paul Simon and Art Garfunkle, especially those days when the duo went by the moniker of Tom and Jerry. The easy pace of the solo acoustic guitar at the beginning of the track starts the song off with a simple sound. Soon, more guitars and some percussion are added to the track to add a lot of texture to the music. Although texture is added to the track, Vancil keeps the song low-key rather than building up the energy level. The low-key approach of the song allows the songwriting of Vancil to come through without being buried with a ton of other musical elements.

You from Ezra Vancil continues with the album’s title track “Wild Girl”. While the previous tracks feature a slightly light feel to the music, the title track finds Vancil adds a lot of energy to the album while still keeping a light approach. The Folk-Rock track of “Wild Girl” features an acoustic guitar as the focal point of the music and other instrumentation to create an “unplugged” feeling to the song. The song even features strings in the background to add an orchestrated feel to the music. Even though it’s a little late, “Wild Girl” is the type of song that would have fit in with all of the electric-made-acoustic songs in the nineties that made up the “Unplugged” fad back then.

With the next track, Ezra Vancil takes the music of his release to the next level. While the track “Broken King” still contains a definite acoustic approach, the track contains a complete listing of instruments. Gone is the lone guitar as “Broken King” contains a complete band playing behind Vancil. The track’s instrumentation creates a Folk-Rock sound that is heavy on the Folk influence but still heavier on the Rock influence than the previous tracks on the release. And with the addition of female vocals, the track becomes a duet of sorts. Even though the song “Wild Girl” is easily the focal point of the release, “Broken King” is yet another track on the album that could (and should) receive a lot of airplay.

One of the most emotional tracks on the You release is the song “Don’t Push Me Away”. With the overarching theme of relationships running through the album, this track’s connection to that theme is more apparent than most of the other songs. The Lite Rock feel of the song and the use of the theme in the lyrics makes “Don’t Push Me Away” one of the most emotional songs on the You release.

Throughout the various tracks on the You album, Ezra Vancil explores many different styles of music. With the track “Polka Girl From Tennessee,” Vancil brings a little more Folk influence into his music. In fact, with the inclusion of the fiddle on the track, you can even say he added a little Country flavor to the release. The resulting track gives the listener a song that feels a lot more like Country music and nothing like Polka music as you might expect with the track’s title.

Speaking of Country music, with the track of “Settle Down Good,” Ezra Vancil and the rest of the musicians on the release create a track that contains a strong Country influence, creating a track that would easily be categorized as Alt-Country. With the musical mix on this track, Vancil and the band bring to mind the music of the Nitty Gritty Dirt Band, with more of as modern spin on the music.

The album You from Ezra Vancil finds the singer-songwriter creating the prefect singer-songwriter release as each track feels different from the others. And with each track, Vancil and band show off their versatility because of that variety in the tracks. Having come from a much different musical background than what is contained within the release, You from Ezra Vancil truly shows off his songwriting ability. And the emotional feeling that is contained within the tracks that make up the release add to that singer-songwriter feeling of the album.

The You release from Ezra Vancil has yet to be released. However, the album is currently up for pre-order on Vancil’s website. Click on the link for more information.

While the You release is still not available, check out an earlier version of the track “Galveston” which will be on the album when it comes out.

For more information, check out Ezra Vancil’s PR Firm, Whiplash PR

Micah OlsanMilwaukee-based singer-songwriter Micah Olsan has gone through several stages in his musical career. And with those stages came different musical influences that helped flavor his music. Throughout his career, Olsan has performed with a band called The Many and he has performed on his own as a solo artist. But with each stage comes a different style and sound to Olsan’s music. And currently, Micah Olsan is in the middle of promoting a new EP of music that features a solo sound and style largely influenced by Folk music. The new 4-song EP from Micah Olsan is entitled Open Space.

Where the previous releases from Micah Olsan featured the singer-songwriter performing with an entire band as was the case with the All Around release featuring Micah Olsan and The Many, the new EP features a much simpler style to the music. The Open Space EP features Olsan in a solo setting as he writes music that contains a solid Folk influence created around an acoustic feel.

Open Space from Micah Olsan begins with the title track to the EP. “Open Space” is a track that takes Olsan’s music back a few decades as the style of the track feels like it would fit in perfectly with songs from the late sixties, early seventies on AM radio. The music for the track brings to mind artists such as John Prine and/or Tom Paxton. The simple guitar approach on the track is amplified when the steel guitar is added to the track. The guitar/steel guitar combination creates a song that is instantly listener friendly. “Open Space” is a great track to start off the new EP from Olsan.

Micah Olsan’s Open Space EP continues with the track “To the Moon”.  While the previous track features a throwback feel to the music, the track “To the Moon” has a very modern feel with the influences to the song including Jack Johnson and/or Ray Lamontagne. “To the Moon” contains a soothing, almost jazzy feel to the music which is helped along with the inclusion of the flute on the track. “To the Moon” finds Olsan in a rather romantic mood on the track as he creates lyrics with very poetic appeal to them. The combination of the jazz/folk music and the poetic lyrics help to create a track that comes across as “poetry set to music”.

With the next track on the EP, Micah Olsan changes the direction of his music. While the previous songs were created around an acoustic guitar, the track called “Dollar” is centered on a lightly played electric guitar that is accompanied by an acoustic guitar. While the acoustic guitar on the track creates the rhythm for the track, the electric guitar is what truly makes the track. The combination of the electric and acoustic guitar ends up creating a track that takes on a slightly exotic island-like feel to the music. The inclusion of the saxophone on the track also gives the track a little ambiance that matches up well with the aforementioned island feel. The “Dollar” track ultimately feels like something from brothers Santo and Johnny Farina of “Sleepwalk” fame if they had become known for songs that featured lyrics.

The newest release from Micah Olsan comes to a close with the track “Palace of the Setting Sun”. Olsan brings his new EP to a close with the song that contains the most production quality of any track on the release. “Palace of the Setting Sun” begins with an extended instrumental break featuring the guitar work of Olsan. The fingerpicking from Micah Olsan creates an acoustic track with a jazzy approach thanks to the acoustic guitar. The inclusion of a little reverb on the track adds a little texture to the otherwise laidback music. The track feels rather expansive through its six-minute playtime. The extended time allows for the singer-songwriter to show off his picking style on the track. While the track contains the longest playtime on the EP, Olsan’s playing keeps the listener enthralled during the longer-than-usual track.

During his time as a singer-songwriter, Micah Olsan keeps evolving and changing his style. With his latest folk-based EP called Open Space, Olsan takes his music in a much different direction than it’s ever been in before. And the softer, gentler side of Olsan shows off a very different side of the artist. The five tracks on the album are nicely varied while keeping that lighter approach on the music.

To get a taste of Micah Olsan’s new EP called Open Space, check out the EP’s title track HERE

For more information, check out Micah Olsan’s PR firm, NoVo Management and Publicity