Archive for the ‘Music’ Category

Mark RogersVirginia/DC-based singer-songwriter Mark Rogers finds himself in a situation that many others have experienced. Years ago, he has spent time creating music. The style of music that he created incorporated Folk, Folk-Rock, and even a little Bluegrass influence. Needless to say, the style of the music created by Rogers would have fit quite nicely with music from the sixties.

But then Mark Rogers found himself creating a family. Music would have to wait. And wait it has. Then, after an extended time away, Rogers has resumed his pursuit of music. In fact, Rogers has made it official as he just created a new EP of original music. The new EP from Mark Rogers is entitled Rearranged.

Rearranged from Mark Rogers begins with the “Right Here”. The track features a sound that would have been right at home during the seventies. In fact, the track’s Folk-Rock feel brings to mind the sound and feel of a band like The Eagles. That sound comes courtesy of guitars that bring to mind the various musicians from the band. The easy pace of the track and the rather familiar Eagles-inspired sound would have felt right at home on AM radio. Right from the start, the track “Right Here” makes Rearranged from Mark Rogers feel like a musical release that fans of Pop-Rock music would truly enjoy.

While the previous track brought to mind the styles of The Eagles, Mark Rogers changes his musical approach on the song “Slow Parade”. The second track of the release features a style that incorporates just a little Beatles flavor into the music. Although it is not overwhelming, the listener can hear just a little Lennon/McCartney influence in the lyrical content of the song. That Beatles-esque lyrical content and melody contained in the words of the song brings to mind that band’s style from back in the sixties when they were just making a name for themselves. Along with the Beatles influence in the lyrics, “Slow Parade” contains a musical approach that once again contains a definite Folk-Rock sound.

After Mark Rogers spent two songs creating music with a throwback feel, the next track of “I Can’t Say Why” features a timeless sound. The Folk-Rock style on the track contains a strong musical approach that could have been played in the seventies, eighties, nineties, or even on today’s Pop-Rock radio formats. Throughout the song, the acoustic approach of the music helps to create a track with a gentle feel to the music. With the inclusion of the electric guitar, Rogers adds a nice amount of energy to the song.

With the track “Waiting,” Mark Rogers once again conjures up the sound of the seventies. The slow pace and easy feel to the music brings to mind a song like “Harvest Moon” from Neil Young. Much like Young’s song that contains a throwback feel to the music, the feel of “Waiting” from Mark Rogers would fit in with older tracks but would also fit on modern-day Adult Contemporary radio formats. “Waiting” is one of the strongest tracks on the Rearranged release from Mark Rogers.

The new release from Mark Rogers continues with the track “Takes Me Back Again”. On this track, Rogers continues to create music with a strong Folk background, but changes things up a little as he incorporates a strong Jazz influence to the music. That Jazz influence comes in the form of the guitar on the track and the light vocal delivery from Rogers. The rather short track shows off Mark Roger’s playing ability.

Mark Rogers brings his new EP to a close with the track “The Blue of December”. As the song revolves around the sound of the piano and the acoustic guitar, the two instruments combine to create a track that contains a very laidback feel. The low-key track brings the Rearranged release from Mark Rogers to a close on a gentle note.

Rearranged from Mark Rogers is a short six-song EP that gives the listener a very strong Folk-inspired . But this is just a taste of what is to come!
For a taste of Mark Rogers’ new EP, check out the track “The Blue of December“.   

Check out Rearranged from Mark Rogers. The album is available on Bandcamp.  You can also find the album on GooglePlay and iTunes

For more information, check out Mark Rogers’ PR firm, Whiplash PR


Keith MorrisThroughout history, there have been issues that made people stand up and take notice. And some of those issues even resulted in the more vocal groups within the people to demand change. Times like the Vietnam era where America became embroiled within someone else’s fight led to people becoming rather vocal and taking stands against what they knew was wrong. We are currently living within yet another era where people are taking a stand against things that they believe are not right. And just like the Vietnam era, a lot of musicians are adding their voices to the fight. One singer-songwriter making his opinion known is Charlottesville, Virginia-based Keith Morris.  

Charlottesville, Virginia-based Keith Morris was largely influenced by many singer-songwriters who have made their voices heard over the years. One such person who had a large influence on Morris was Leonard Cohen. With how vocal Cohen had been during his lifetime, the songwriter would have had plenty to say about what is going on in the country today. But Cohen died before things like the election of Donald Trump happened. That event as well as several other newsworthy others would have been just right for Cohen to write about if he had lived just a little while longer. To make up for that, Keith Morris has created an entire album of songs that have their beginnings in real-life events that are now sending shockwaves through the nation. Originally entitled “Trump Songs for Leonard Cohen” (a title that was abandoned when Morris was told he could not use it), the new album from Keith Morris & The Crooked Numbers is called Psychopaths and Sycophants.

The album of Psychopaths and Sycophants from Keith Morris & The Crooked Numbers begins with the track “The Future”. This track was originally written and recorded by Leonard Cohen when he started looking at what the future may actually hold for mankind. Looking back at what the songwriter had written, the track’s lyrics seem rather haunting as a lot of what Cohen had predicted has taken place. But the track as recorded by the band gives the song a lot of energy as the Rock and Roll within the song contains a driving feel to the music. That driving feel gives the track more of an upbeat approach than the lyrics seem to contain.

Along with “The Future,” Morris and the band also do an interpretation of yet another Cohen composition entitled “In My Secret Life”. While the original version from Cohen was created around the sound of the guitar, the inclusion of the organ on the new version from Keith Morris & The Crooked Numbers gives the track a slightly more upbeat feel. And the slightly quicker musical delivery also adds to that more upbeat feel. Add to that the Gospel Choir in the background and “In My Secret Life” brings the new release from the band to a close on a strong note.

In-between the two tracks originally written by Leonard Cohen, Psychopaths and Sycophants from Keith Morris & The Crooked Numbers finds the singer-songwriter and his band approaching very controversial topics. The song “What Happened to Your Party” covers the topic of when people within a party get firmly behind a certain candidate for president (Trump) and those people leave their beliefs behind to follow blindly along. The song “Charlottesville by Name” finds Keith Morris creating a tune written in response to the hatred and violence that took place within a rally where several people were killed. And the track “The Narcissist” deals with a man who is too stuck on himself to see the big picture of what is going on around him. And of course, the title track of “Psychopaths and Sycophants” deals with all of the wrong people who are running things today. These tracks and others give Psychopaths and Sycophants its politically-charged feel.

While the subject matter contained within the nine songs that make up Psychopaths and Sycophants is very political, the musical side of the album finds Keith Morris and the rest of The Crooked Numbers creating music that is widely varied. Throughout the tracks on the album, the Folk, Rock, Gospel and other musical influences blend together to create an album that is as musical diverse as the political themes that run through the subject matter. That musical diversity proves that there is a lot more to Keith Morris than just the emotional side to the writer that drives his desire to take a stand; there’s also a musician side that helps to shape the way his songs sound.


Psychopaths and Sycophants from Keith Morris & The Crooked Numbers has yet to be released. The album will be available in the very near future. Stay tuned to the website for Keith Morris & The Crooked Numbers to stay updated. But until the newest release from Morris and the band is available, check out the title track to the upcoming album.

For more information, check out the PR firm for the band, Whiplash PR.  

YOUWhile Dallas-based singer-songwriter Ezra Vancil has explored several different styles of music over his time in the music industry, his album of You finds the singer-songwriter exploring the Folk music aspect of his personality as well as other styles to help bring the tracks on the new album to life. Recently, Vancil took a deeper look within his own life and started writing songs with a very personal connection. But instead of writing the collection of songs from a first-person perspective, the resulting tracks on the release deal with his relationship with his wife and other aspects of love as his various relationships have seen ups, downs, highs and lows. With the eleven tracks that make up the release, Vancil makes use of his personal influences such as Cat Stevens, Johnny Cash, Bob Dylan, even women such as Emmylou Harris and Joni Mitchell, as well as several other artists. Together, those artists helped to influence the music of Ezra Vancil that appears on his new release called You.

The album You from Ezra Vancil begins with the track “Galveston”. While the track deals with Vincil’s divorce from his first wife, the music and feel of the track brings to mind another artist: Although known for the track “Convoy,” the songwriter C.W. McCall created tracks with this feel with the help of producer and owner of the record label American Gramophone, Chip Davis. Together, the duo of Davis and McCall would have created a track with this very feel, including the story-like approach to the lyrics of the song. That feeling of familiarity makes Vancil’s “Galveston” feel both fresh and retro at the same time and that gives the listener a good reason to continue on the musical journey set forth by Vancil.

Ezra Vancil’s new release continues with the track “Complicated Man”. The track starts off with a rather strong acoustic guitar approach that helps create a sound that will remind listeners of early recordings of Paul Simon and Art Garfunkle, especially those days when the duo went by the moniker of Tom and Jerry. The easy pace of the solo acoustic guitar at the beginning of the track starts the song off with a simple sound. Soon, more guitars and some percussion are added to the track to add a lot of texture to the music. Although texture is added to the track, Vancil keeps the song low-key rather than building up the energy level. The low-key approach of the song allows the songwriting of Vancil to come through without being buried with a ton of other musical elements.

You from Ezra Vancil continues with the album’s title track “Wild Girl”. While the previous tracks feature a slightly light feel to the music, the title track finds Vancil adds a lot of energy to the album while still keeping a light approach. The Folk-Rock track of “Wild Girl” features an acoustic guitar as the focal point of the music and other instrumentation to create an “unplugged” feeling to the song. The song even features strings in the background to add an orchestrated feel to the music. Even though it’s a little late, “Wild Girl” is the type of song that would have fit in with all of the electric-made-acoustic songs in the nineties that made up the “Unplugged” fad back then.

With the next track, Ezra Vancil takes the music of his release to the next level. While the track “Broken King” still contains a definite acoustic approach, the track contains a complete listing of instruments. Gone is the lone guitar as “Broken King” contains a complete band playing behind Vancil. The track’s instrumentation creates a Folk-Rock sound that is heavy on the Folk influence but still heavier on the Rock influence than the previous tracks on the release. And with the addition of female vocals, the track becomes a duet of sorts. Even though the song “Wild Girl” is easily the focal point of the release, “Broken King” is yet another track on the album that could (and should) receive a lot of airplay.

One of the most emotional tracks on the You release is the song “Don’t Push Me Away”. With the overarching theme of relationships running through the album, this track’s connection to that theme is more apparent than most of the other songs. The Lite Rock feel of the song and the use of the theme in the lyrics makes “Don’t Push Me Away” one of the most emotional songs on the You release.

Throughout the various tracks on the You album, Ezra Vancil explores many different styles of music. With the track “Polka Girl From Tennessee,” Vancil brings a little more Folk influence into his music. In fact, with the inclusion of the fiddle on the track, you can even say he added a little Country flavor to the release. The resulting track gives the listener a song that feels a lot more like Country music and nothing like Polka music as you might expect with the track’s title.

Speaking of Country music, with the track of “Settle Down Good,” Ezra Vancil and the rest of the musicians on the release create a track that contains a strong Country influence, creating a track that would easily be categorized as Alt-Country. With the musical mix on this track, Vancil and the band bring to mind the music of the Nitty Gritty Dirt Band, with more of as modern spin on the music.

The album You from Ezra Vancil finds the singer-songwriter creating the prefect singer-songwriter release as each track feels different from the others. And with each track, Vancil and band show off their versatility because of that variety in the tracks. Having come from a much different musical background than what is contained within the release, You from Ezra Vancil truly shows off his songwriting ability. And the emotional feeling that is contained within the tracks that make up the release add to that singer-songwriter feeling of the album.

The You release from Ezra Vancil has yet to be released. However, the album is currently up for pre-order on Vancil’s website. Click on the link for more information.

While the You release is still not available, check out an earlier version of the track “Galveston” which will be on the album when it comes out.

For more information, check out Ezra Vancil’s PR Firm, Whiplash PR

Micah OlsanMilwaukee-based singer-songwriter Micah Olsan has gone through several stages in his musical career. And with those stages came different musical influences that helped flavor his music. Throughout his career, Olsan has performed with a band called The Many and he has performed on his own as a solo artist. But with each stage comes a different style and sound to Olsan’s music. And currently, Micah Olsan is in the middle of promoting a new EP of music that features a solo sound and style largely influenced by Folk music. The new 4-song EP from Micah Olsan is entitled Open Space.

Where the previous releases from Micah Olsan featured the singer-songwriter performing with an entire band as was the case with the All Around release featuring Micah Olsan and The Many, the new EP features a much simpler style to the music. The Open Space EP features Olsan in a solo setting as he writes music that contains a solid Folk influence created around an acoustic feel.

Open Space from Micah Olsan begins with the title track to the EP. “Open Space” is a track that takes Olsan’s music back a few decades as the style of the track feels like it would fit in perfectly with songs from the late sixties, early seventies on AM radio. The music for the track brings to mind artists such as John Prine and/or Tom Paxton. The simple guitar approach on the track is amplified when the steel guitar is added to the track. The guitar/steel guitar combination creates a song that is instantly listener friendly. “Open Space” is a great track to start off the new EP from Olsan.

Micah Olsan’s Open Space EP continues with the track “To the Moon”.  While the previous track features a throwback feel to the music, the track “To the Moon” has a very modern feel with the influences to the song including Jack Johnson and/or Ray Lamontagne. “To the Moon” contains a soothing, almost jazzy feel to the music which is helped along with the inclusion of the flute on the track. “To the Moon” finds Olsan in a rather romantic mood on the track as he creates lyrics with very poetic appeal to them. The combination of the jazz/folk music and the poetic lyrics help to create a track that comes across as “poetry set to music”.

With the next track on the EP, Micah Olsan changes the direction of his music. While the previous songs were created around an acoustic guitar, the track called “Dollar” is centered on a lightly played electric guitar that is accompanied by an acoustic guitar. While the acoustic guitar on the track creates the rhythm for the track, the electric guitar is what truly makes the track. The combination of the electric and acoustic guitar ends up creating a track that takes on a slightly exotic island-like feel to the music. The inclusion of the saxophone on the track also gives the track a little ambiance that matches up well with the aforementioned island feel. The “Dollar” track ultimately feels like something from brothers Santo and Johnny Farina of “Sleepwalk” fame if they had become known for songs that featured lyrics.

The newest release from Micah Olsan comes to a close with the track “Palace of the Setting Sun”. Olsan brings his new EP to a close with the song that contains the most production quality of any track on the release. “Palace of the Setting Sun” begins with an extended instrumental break featuring the guitar work of Olsan. The fingerpicking from Micah Olsan creates an acoustic track with a jazzy approach thanks to the acoustic guitar. The inclusion of a little reverb on the track adds a little texture to the otherwise laidback music. The track feels rather expansive through its six-minute playtime. The extended time allows for the singer-songwriter to show off his picking style on the track. While the track contains the longest playtime on the EP, Olsan’s playing keeps the listener enthralled during the longer-than-usual track.

During his time as a singer-songwriter, Micah Olsan keeps evolving and changing his style. With his latest folk-based EP called Open Space, Olsan takes his music in a much different direction than it’s ever been in before. And the softer, gentler side of Olsan shows off a very different side of the artist. The five tracks on the album are nicely varied while keeping that lighter approach on the music.

To get a taste of Micah Olsan’s new EP called Open Space, check out the EP’s title track HERE

For more information, check out Micah Olsan’s PR firm, NoVo Management and Publicity

TFIA Album CoverIt seems that there are mainly three types of people:  Those who have never heard of Trout Fishing in America in any matter; those who know that as a title of a book written by Richard Brautigan; and those who know that as the name of a two-man folk-based band of Ezra Idlet and Keith Grimwood who took their band’s moniker from that book. There are those who know both the book and the band; however, it seems that that group of people is a rather small exception to the rule.

And for those who know the band, you usually come to know them through two different directions:  through their children-based music where the duo creates music like the song “The Window” that is generally for younger audiences and their parents OR a song like “A Proper Cup of Coffee” for their more mature (but NOT adult-rated) music for the adult set.

Together, with both musical mindsets, the duo of singer/guitarist Ezra Idlet and singer/bassist Keith Grimwood has amassed an impressive library of music. And whether you are for the Adult set or for the Children/Parent set, the duo has a large amount of albums to choose from. And that library of music from the duo has just recently grown by one as the duo has just released a new album for the Adult portion of their fanbase. The new album from Trout Fishing in America is entitled The Strangest Times.

The Strangest Times from Trout Fishing in America begins with the album’s title track. “The Strangest Times” is a track that features Ezra Idlet and Keith Grimwood creating a track that falls into a Folk category with a slight Rock and Roll edge to it. The easy pace to the music helps add to the Folk influence in the track. The guitar solo in the track helps to add to the Rock and Roll influence. The lyrics find guitarist Ezra Idlet lamenting his hard life but also being glad when his lady shows up to help him through all of the problems. “The Strangest Times” is a semi-sweet song with a hint of hope to it.

Trout Fishing in America’s newest album continues with the track “In the Morning”. The feel of the music changes on this track. The song features a slightly easier feel to the music as the duo of Ezra Idlet and Keith Grimwood create the track with more of a Folk influence with a little Blues feel thrown in. This time, bassist Keith Grimwood handles the vocals on the track. The Folk/Blues combination in the music along with Grimwood handling the vocals combine to create a track that is reminiscent of something from Canadian troubadour Gordon Lightfoot. The overall gentle feel of the track creates a song that will easily satisfy fans of Folk music.

With the next track, the duo creates one of the most commercial tracks of the album. “A Place to Fall” finds Ezra Idlet once again handling the vocals to a track that features a definite Folk-Rock style. The track’s musical delivery as well as lyrical direction brings to mind a timeless Folk-Rock style that would be right at home on radio today but could easily have found a place on the airwaves back in the sixties/early seventies. “A Place to Fall” is one track on The Strangest Times that demands repeated playing.

Speaking of a commercial appeal, the album of The Strangest Times continues with the song “When the Fog Rolls In”. The song hits the listener with a style that will immediately catch the ear of the listener. The track features a definite Folk-Rock approach that adds to that appeal. This is one track from Trout Fishing in America that will make you wish the act was much more than just a duo Ezra Idlet and Keith Grimwood. As the track proceeds, the listener can all but imagine the track being completed with a drumbeat and maybe a rhythm guitar to add some depth to the track. As it exists, “When the Fog Rolls In” is easily one of the standout tracks on the newest album from the duo.

The Strangest Times continues with two of the more “adult” tracks on the release. With the track “Where’s Your Mama,” Keith Grimwood finds himself in the predicament of finding someone who is just his type but NOT in his age range. And the song “Someone Your Age,” he handles the vocals on a song about growing old. The two tracks seem to have several things in common, which is probably why they ended up being grouped together on the release. The two tracks deal with age issues while being on opposite sides of the coin. They also have a certain amount of humor as they deal with the subjects they contain. With the subject matters of the tracks being what they are, “Where’s Your Mama” and “Someone Your Age” are two of the more “realistic” songs on this new Trout Fishing in America album.

Staying in much the same vein as the previous two tracks, the song “Where Did Everybody Go” contains a grown-up quality to the lyrics as Ezra Idlet sings a song about falling out of the in crowd as everyone around him disappears. While this song may be relevant to the older crowd, it has mass appeal as everyone can relate.

The mood of the album changes with the track “Quiet Alleys”. For most of the album, bassist Keith Grimwood plays his instrument by plucking the strings. But with this track, he changes directions and bows the instrument. The bowing motion of the bass creates a completely different sound to the music than any previous track on the release. The orchestral quality of the Grimwood’s bass mixed with Idlet’s guitar combine to create one of the more solid Folk-like combinations of the entire release. Add to that the gentle vocals from Ezra Idlet and “Quiet Alleys” is one of the strongest moments of folk music on the release.

The Strangest Times from Trout Fishing in America is a solid effort from the duo of Ezra Idlet and Keith Grimwood. The album contains many moments of both serious and more lighthearted moments. And in the case of the song “When the Fog Rolls In,” the duo seems to have hit gold with yet another song that with end up being as much a staple in the duo’s set as songs like “The Window” or “A Proper Cup of Coffee” but on a slightly more serious side.  This album will easily make any fan of Trout Fishing in America. Plus, for those who have yet to discover the magic of the duo, this album is a great place to start your relationship with the music of the duo.

To hear just a hint of the music from Trout Fishing in America, check out the song “When the Fog Rolls In“.

Check out this live version of the title track, “The Strangest Times”.


thegoodmorningnagsSix-piece NYC based ensemble The Good Morning Nags is currently in the middle of making a name for themselves. The band consists of founding members Tim Hassler (fiddle, vocals), Ben Quinn (mandolin, guitar, harmonium, vocals), Titus Tompkins (percussion, mandolin, vocals) and Britt Reagan (guitar, dulcimer, vocals) as well as Mark Spitznagel (banjo, vocals) and Pete O’Neill (bass, vocals). As a group, the band comes together to create music that bridges the gap between the sound of classic Bluegrass music and more recent music that falls into the category of Americana because of the blending of styles to create a new sound and feel to the music. The Americana style from The Good Morning Nags blends Bluegrass, Folk and some Country together to create a sound that will find its place among fans of early forms of music. Throw in a little Old Timey influence to the music and you have a recipe for musical success.

Having originally formed back in 2010, The Good Morning Nags spent some of their time busking in the subways in New York. Since that time, hundreds of performances were logged before the band even recorded their first EP. But now, the band is celebrating the release of their new self-titled EP. The new self-titled EP from The Good Morning Nags begins with the track “Sugar Baby”. The track features a strong Folk/Bluegrass blend with a slight hint of something more to it. The blend suggests that this version of the track is not quite what lovers of Folk or Bluegrass may come to expect. That firmly puts the track into the Americana genre. The vocals on the track find the vocalists blending their voices in harmony just like you’d find on many Bluegrass tracks. Blending everything together into one song, The Good Morning Nags have a strong track that leads off their self-titled release.

With the next track on their self-titled release, the band does what most Bluegrass bands do: They take a shot at performing a well-known tune to make it their own, just like they did with “Sugar Baby”. It is with the standard tune “Blackberry Bush” that the band truly shows off their roots. While the standard is usually a spotlight tune for the fiddle, The Good Morning Nags have created a version that revolves around the fiddle from Tim Hassler while still incorporating the entire band in on the tune. The ensemble feel of the track creates a completely different take on the tune while still allowing the original tune to shine through.

“Love Like No Other,” an original track on the release, ventures slightly away from the Bluegrass style of the group and takes on the styling of the Country Rock band of The Nitty Gritty Dirt Band. In fact, the tune recalls the early days of that band when they were creating music with a rather Old Timey feel to it. Specifically, “Love Like No Other” feels as if it would fit right alongside tracks from The Nitty Gritty Dirt Band’s self-titled debut where several of the tracks were arrangements of older songs. While there is a definite Old Timey feel to “Love Like No Other,” that sound is perfect for lovers of the style.

The Good Morning Nags return to a standard mindset on the next track. “Cripple Creek” finds the band in full Bluegrass mode as they perform the tune. The version of the song that the band chose dates back over one hundred years to 1905. The track features the mandolin of Ben Quinn as the focal point in the song and the band creates a version of the song that lives up to that old standard while adding a nice energetic delivery to the music. “Cripple Creek” as performed by The Good Morning Nags finds the band in fine form as they bring a rather old tune into the modern era.

The Good Morning Nags bring their new self-titled album to a close with a track that could easily be described as the band’s theme song. “Good Morning Girl” finds the band creating a track that takes the genre of Bluegrass and turns it on its head. The resulting track contains the feel of Bluegrass but with a very modern take on it. The music has a bit of an edge to it while the lyrics have a slightly wry feel to them while being upbeat at the same time. The lyrics find the singer (a Good Morning Nag) singing an ode to his girlfriend (a Good Morning Girl). And then, when he has his say, the girl in question sings her response. The duet-style track is basically a love song being sung by two much worn people looking for their perfect matches. While it has a rather modern feel to the lyrics and music, underneath it all, the track has a timeless appeal to it.

The new self-titled release from The Good Morning Nags is a release that has a lot going for it: There are the elements of classic Bluegrass, classic Folk music and fresh arrangements of classic Bluegrass tunes all mixed together. While the album may be a tad unusual for those looking for a straight-out classic Bluegrass release, those with an open mind and an appreciation for Bluegrass music, Folk music and even Country music will much to enjoy on this album.

To check out the music of The Good Morning Nags, check out the band’s tune called “Love Like No Other”.

To purchase a copy of the new self-titled EP from The Good Morning Nags, click HERE.  

For more information, check out the band’s PR firm, WHIPLASH PR.

Sour BruthersGrowing up together helps to add a certain amount of familiarity to the way members in a band relate to each other. One band that is truly creating music with a definite “family” feel to their music is the band called The Söur Bruthers. And even though the members of the band grew up around each other, they all went their separate ways when joining up with previous musical projects. But those previous projects are what have helped to shape the music of The Söur Bruthers.

Chicago-based band The Söur Bruthers consist of band members: Tim Dlaregztif – Guitar/Vocals, Mike Argyrakis – Guitar Vocals, Bill Lloyd – Bass/Vocals and Tony Alunni – Drums/Drums. Each member of the group (or Bruther) drops their own last name when performing in the band and uses Sour as the band identity. Together, Tim, Mike, Bill and Tony Sour blend their various musical influences to create a sound in their band that can only be described as Americana because of the Retro-Pop, Blues, Hard Rock and Country vibes that flow through the songs of the group. What the band calls “SOURLICIOUS ROCK WITH A COUNTRY TWANG!” flows through the band’s debut self-titled EP.

“Sinkin’ Down” is the first track on the self-titled release from The Söur Bruthers. With this track, the band begins their EP with one of the hardest-hitting tracks. The Rock and Roll track contains a slight Country twang in the music. Moreover, the music of the band seems to recall the style of Bob Seger & the Silver Bullet Band. While the music is closer to Rock and Roll, the lyrics recall Country music a little more. The energy contained within the playing of the band on “Sinkin’ Down” made the choice for leading off the EP with the song a good one as the track hits and hits hard, giving the listener a good indication of what is to come.

In the short time that The Söur Bruthers have been a band, the group has already seen some positive reactions to the music. The band’s song “Better Days” was entered in the 2017 18th Annual Great American Song Contest where it won the contest. “Better Days” contains a musical mix that actually closer to Southern Rock in the vein of a band like Molly Hatchet than it is to actual Country music. Because of the strong guitar-based foundation to the song, the track would belong more on an Album-Oriented Rock radio format rather than on a Country music format. The driving nature of the track’s music helps to create one of the more powerful moments on the release.

The six-song self-titled EP from The Söur Bruthers continues with the track “3A.M.” With this track, the band creates a sound that brings to mind another group, The Beat Farmers, as both bands have very similar blends of styles in their music, as well as the same sort of lyrical content in their words. The Country-Rock music in the song creates a track that would easily fit on any modern-day Country music format. “3A.M.” is easily one of the best tracks that make up the EP. The only thing is that the track should be a lot longer, as it currently doesn’t even hit the 3-minute mark.

The Söur Bruthers pick up the pace of the music on the next track of “Wash Me”. With this track, the band increases the energy level of their playing while stripping their sound of anything Country music-related. The resulting track finds the band creating a song that is straight-out Rock and Roll. Actually, the track would be easily categorized as being “Hard Rock”. That Hard Rock approach comes courtesy of powerful guitars that push the energy level of the song up a notch or two when compared to the band’s more Country-flavored tracks. “Wash Me” is one of the more energetic tracks on the band’s self-titled EP.

The self-titled EP from The Söur Bruthers comes to a close with the track “Release Me”. With the very first notes from the guitar and the piano on the track, it’s rather clear the track has an extremely commercial feel to the music. The track is mostly Rock and Roll with just a hint of Country to it. The song once again brings to mind acts like Bob Seger or other artists from the eighties as the song would easily fit in with the more rockin’ acts from the era. As the final track of the EP, “Release Me” hits hard from the first note and takes the release home on a very strong note.

With their new self-titled EP, Chicago’s The Söur Bruthers have created a release that makes good use of every musical influence that exists within the quartet. When the band wants to create a Country-flavored track, the result is a track that sounds very authentic and would be welcome on any Country radio format. And when the band goes in a more Rock and Roll direction, they create tracks that will satisfy any fan of the Rock and Roll genre. As you listen to the self-titled EP from this band of friends, it becomes very clear that long-time friends make the best bandmates as The Söur Bruthers are a very tight musical ensemble.

For a taste of the music from The Söur Bruthers, check out the band’s track “Better Days,” the song that helped the band win the 18th Annual Great American Song Contest.

For more information, check out the band’s PR firm, Whiplash PR.